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Every harmony and brip-brap chord feels precision-planned.
And, with Longstreth famous for insisting on 12-hour rehearsals you’d expect them to be.
” an overexcited fan yelled during a Dirty Projectors show in London in 2007, to cheers of agreement.
Connecting with a sublime feeling is wrapped up in concentration for me.” And as complex as it is, the lightness of translated beautifully in the show with Bjrk two weeks later, via glimmering vocals and delicate Spanish guitar.(The duo collaborated on the record, though their friendship soured near its completion.) More frequently, the compositions give off a sense of untethered exploration.From the Motown-meets-’70s-soft-rock vibe of “No Coffee” to the string intro grafted onto its dancehall title track, City Of No Reply is an album of stylistic hybrids.In a recent interview, Dirty Projectors’ driving force David Longstreth lamented the fact that creative arts, like his, have been “deskilled by these really powerful ideologies of punk in music and Warhol in the visual arts.”It’s not totally true, but you can see what he means – it’s why they sell Johnny Ramone, not John Cage T-shirts in Topshop.Longstreth’s work, though, highlights the concept of the pop group as a skilled profession.